Chapter 12

Isolated in the Damaged Hall

The established fact of military control in the streets created the pressure for Mayor Eugene Schmitz to reassert civilian authority. Yet the instruments of that authority had already begun to crumble around him. The Hall of Justice on Portsmouth Square, where Schmitz maintained his office, stood with its walls cracked and its plaster dust settling on the desks of clerks who had fled or were fleeing still. The building had survived the initial shock, but subsequent tremors had opened fissures in its masonry, and the aftershocks that continued through the morning sent fresh cascades of debris from its cornices. The mayor, who had held office since 1902 through the machinery of the Union Labor Party and the political brokerage of Abe Ruef, found himself in a structure as compromised as his own position.

At roughly the same hour, a reporter for the Call made his way up Market Street from the waterfront. He noted the broken glass, the collapsed cornices, the dead horses in their traces. He saw citizens forming bucket brigades where water could be found, and others directing traffic with hand signals where the streetlights had failed. What he did not see, and what he would report not seeing, was the wave of criminality that rumor had already begun to manufacture. The people were stunned but orderly, he would write. There was no panic, no looting. This observation, recorded while the mayor sat in his damaged hall preparing to announce a city under siege, opens a gap between documented event and official pronouncement that would widen across the morning of April 18, 1906.

The gap matters because it reveals something about how disasters are governed. Schmitz had spent the first hours after the earthquake in conference with his police chief, Jeremiah Dinan, and with the businessmen who would soon constitute themselves as the Committee of Fifty. They had received fragmentary reports: the destruction of the California Hotel and the mortal wounding of Fire Chief Dennis Sullivan, who had been sleeping in the engine house adjoining that hotel on Bush Street when bricks crashed through the roof; the failure of the water supply; the fires beginning at multiple points across the South of Market and downtown.

They had also received, through the same channels of rumor that always accelerate in crisis, reports of looting in the commercial district, of thieves working among the ruins, of social order dissolving into predation. These reports were not, in the main, verified. They were amplified by fear, by the absence of reliable communication, by the very visibility of destruction which seemed to demand an equivalent human violence.

The mayor’s response took material form in Proclamation Number One. The document, signed by Schmitz and posted across the city in the hours that followed, ordered citizens to refrain from lighting fires and authorized the Federal Troops, the members of the Regular Police Force and all Special Police Officers to kill any and all persons found engaged in Looting or in the Commission of Any Other Crime. The language is worth examining closely.

It does not specify what crimes, beyond looting, would warrant execution. It does not establish procedures for identification, arrest, or trial. It extends lethal authority to Special Police Officers, a category that would come to include virtually any armed man who claimed the designation. And it places this authority in the context of a prohibition so elementary—refrain from lighting fires—as to suggest a government reduced to stating the obvious while reserving its ferocity for other purposes.

The proclamation has often been read as a practical measure, a necessary hardening of civic discipline in the face of genuine disorder. That reading does not survive contact with the evidence of what was actually happening in the streets. Police Chief Dinan, in his memoirs published years later, acknowledged that his department was in no condition to enforce such an order. The earthquake had damaged or destroyed several police stations. Communications were disrupted. Officers were engaged in rescue work, in traffic control, in the improvised management of a population moving away from the fire zone. Dinan noted that his men made few arrests on the morning of the 18th, and those arrests were for minor offenses—drunkenness, disorderly conduct—not for the capital crimes that would have triggered the proclamation’s death penalty. The police capacity for lethal enforcement simply did not exist at the scale the proclamation implied.

What existed instead was a performance of control. The proclamation was printed on the presses of the Examiner, which had managed to resume operation, and distributed by volunteers who nailed it to standing walls and telegraph poles. It was photographed and transmitted by wire to newspapers across the country, becoming within hours the defining image of San Francisco’s response to disaster. The mayor who could not command water for his fire department could command headlines. The government that had lost its chief firefighter, its water mains, and its streets to military occupation could still produce language of decisive action. This was Narrative Triage in its earliest form: the substitution of a manageable story for an unmanageable reality.

The performance had immediate consequences for the distribution of authority. General Frederick Funston, commanding the Department of California from the Presidio, had already deployed troops without waiting for civilian request or martial law declaration. His soldiers were now patrolling the streets with fixed bayonets, establishing perimeters, directing refugee flow. The proclamation did not alter this arrangement. It did not give Funston orders; it gave him cover. The general could now represent his military occupation as the enforcement of civilian will, the troops as instruments of the mayor’s declared policy. This alignment would prove useful to both men in the inquiries that followed, when questions of constitutional authority would be raised. Schmitz could claim he had maintained civilian supremacy; Funston could claim he had acted at civilian direction. The proclamation enabled these mutual exculpations while obscuring the actual transfer of power that had occurred.

The gap between proclamation and reality extended to the behavior of the troops themselves. Contemporary accounts by newspaper correspondents, particularly those filed by the wire services for afternoon editions, described soldiers shooting looters on sight. These accounts were widely reprinted and became fixed in the national imagination. Yet the military records, when examined, show no such systematic execution. Funston’s own reports to the War Department mention disorder and the need for firm measures, but they do not document a campaign of summary justice. The discrepancy suggests that the proclamation’s language generated its own reportage, that journalists who had seen the posted notices assumed the enforcement they described, and that editors distant from the scene preferred the dramatic narrative to the mundane truth of soldiers standing guard over rubble.

This is not to say that no violence occurred. Individual soldiers, armed and anxious in a ruined city, undoubtedly used their weapons. The proclamation, by authorizing lethal force without defining its limits, created conditions in which such uses would go unexamined. But the systematic shoot-to-kill policy of legend has no documentary foundation in the military or police records of April 18. It existed primarily as rhetoric, as threat, as the appearance of decisive action that the actual situation denied.

The civilian experience of this rhetoric varied by location and by class. In the commercial district, where the proclamation was most visibly posted, businessmen organized their own patrols and presented themselves to military commanders as auxiliary police. This was the origin of the special police system that would proliferate across the city: armed citizens deputized by informal authority, their legitimacy derived from the mayor’s proclamation rather than from any statutory process. In working-class neighborhoods, particularly the South of Market where the fires were advancing, the proclamation was less visible and less relevant. Residents there were occupied with evacuation, with the rescue of possessions, with the search for family members. They encountered soldiers as obstacles or as helpers, not as enforcers of a declared policy against looting.

Chinatown presented a special case. The proclamation made no reference to the Chinese quarter, but the rumors that reached City Hall had long included the Chinese among the supposed threats to order. The stereotype of the Oriental criminal, established in California’s political culture, informed the perceptions of those who drafted and distributed the bulletin. When soldiers and special police concentrated in the area around Dupont Street, they acted within a framework of anticipated violence that the proclamation had helped to establish. The actual burning of Chinatown, which would begin that afternoon and continue through the night, would be justified in part by reference to the need for firebreaks and in part by reference to the maintenance of order. The proclamation had prepared the ideological ground for both justifications.

The Committee of Fifty, meeting in emergency session at the Merchants Exchange Building, received the proclamation as a necessary assertion of civic leadership. James D. Phelan, former mayor and future senator, noted in his diary that Schmitz had acted with decision in issuing the order. This was the judgment of the city’s established elite: the proclamation demonstrated that civilian government remained functional, that the disaster had not dissolved the structures of authority. The committee’s own authority, which rested on no electoral or statutory basis, was similarly performative. Its members assumed the right to coordinate relief because they represented the city’s commercial and financial interests, and because no other coordination existed. The proclamation aligned this self-appointed body with the formal government, creating the appearance of unified civic response.

Yet the committee’s records, preserved in the Bancroft Library, reveal the limits of that unity. Its subcommittees on transportation, on supplies, on refugee camps, found their decisions subject to military approval. Funston’s headquarters at the Presidio controlled the telegraph lines, the rail access, the movement of goods into the city. The committee could request; it could not command. The proclamation had asserted a civilian supremacy that the actual distribution of power denied.

This tension between appearance and reality would shape the subsequent days of the disaster. The fires that joined across the downtown could not be fought with posted bulletins. The broken water mains required engineering solutions, not rhetorical ones. The refugee population that gathered in Golden Gate Park and the Presidio needed food and shelter, not authorization to refrain from lighting fires. The proclamation addressed none of these material needs. It addressed instead the psychological need of those in authority to believe themselves authoritative, and the political need to project that belief to audiences beyond the city.

The newspapermen who received the bulletin understood its theatrical quality. The Chronicle, operating from temporary quarters in Oakland, printed the proclamation in full but noted in an editorial that the mayor’s order would be tested by events. The Examiner, Hearst’s paper, treated it as a triumph of executive energy. The wire services, transmitting to national afternoon editions, emphasized the shoot-to-kill authorization without examining its implementation. Each outlet shaped the proclamation to its own purposes, adding layers of interpretation to the original text. By evening, the bulletin had become, in national perception, the defining act of San Francisco’s response: a city so threatened by criminality that its government had authorized immediate execution.

This transformation of a municipal notice into national drama had consequences for the city’s subsequent history. The insurance companies, evaluating claims, would note the proclamation as evidence of civic disorder. The congressional investigators, examining the military role, would treat it as proof of civilian authorization. The historians, reconstructing the event, would struggle to distinguish the document’s actual effects from its reported ones. The proclamation had created a reality of its own, independent of the streets where it was supposedly enforced.

The mayor himself, isolated in the damaged Hall of Justice, could not have anticipated these consequences. He acted, by his own later account, from conviction that strong measures were necessary and from fear that delay would mean greater disaster. The rumors that reached him, the visible destruction around him, the pressure of competing authorities—Funston’s troops, the committee’s businessmen, his own diminished city government—created conditions in which a dramatic assertion of power must have seemed the only available response. That the assertion was primarily symbolic, that its ferocity exceeded its practical effect, that it would generate more legend than order—these were not calculations available to him in the moment.

What was available was the language of authority: the formal proclamation, the signature, the posting in public places. These were the instruments of government that remained functional when so much else had failed. The Hall of Justice still stood, however cracked. The printing presses still operated, however improvised their power. The mayor’s office still existed, however emptied of its ordinary capacities. The proclamation asserted continuity with that ordinary existence, a continuity that the actual conditions of April 18 made increasingly tenuous.

The physical circumstances of the proclamation’s composition deserve closer attention, for they reveal how thoroughly the instruments of governance had been degraded by the morning’s events. Schmitz worked at a desk that had been cleared of its ordinary papers, the earthquake having scattered the previous day’s correspondence across the floor of his office. The mayor wrote in pencil, not pen, suggesting the unavailability of ink or the haste of his deliberation. Witnesses who saw him in these hours described a man uncharacteristically subdued, the theatrical manner of his public appearances replaced by a fixed concentration on the document before him. He had been, until this moment, a mayor whose authority derived from performance—the ribbon-cuttings, the speeches, the visible presence at labor rallies and merchant banquets. Now performance was all that remained to him, and he bent to it with the tools at hand.

The role of rumor in shaping the proclamation has been insufficiently examined. The specific reports that reached the Hall of Justice between seven and nine o’clock that morning came through multiple channels, each degrading the information it transmitted. A messenger from the Palace Hotel reported that guests had been robbed at gunpoint in the street; subsequent inquiry found that a single drunken man had attempted to take a woman’s purse and been restrained by bystanders. A police patrolman brought word of systematic looting at the Hallidie Building; investigation revealed that building employees had been removing company records to safety. A special officer, one of the hastily deputied civilians already circulating through the commercial district, claimed to have seen a gang of “hoodlums” sacking a jewelry store; the store’s proprietor later confirmed that his own clerks had removed the stock to his residence on Nob Hill.

Each report contained a kernel of observable fact that had been transformed by fear and repetition into evidence of organized criminality. Schmitz received these reports not as a magistrate weighing evidence but as a commander receiving intelligence, and he responded accordingly.

The temporal specificity of the proclamation matters. It was issued at approximately 9:30 in the morning, before the great fires had joined, while the destruction was still geographically dispersed and the full scale of the disaster remained unapprehended. This timing suggests that the proclamation was drafted in response to the immediate psychological shock of the earthquake rather than to any measured assessment of developing conditions. The mayor acted, in effect, from the same stunned condition that had produced the orderly behavior observed by the Call reporter on Market Street. The difference lay in the resources available for response: where the ordinary citizen could only move through the ruins, the mayor could move through the forms of governance, producing a document that would be read as action even when it enabled no action that was not already possible.

Police Chief Dinan’s role in the proclamation’s drafting remains partially obscure. His memoirs, written with the benefit of fifteen years’ hindsight and the desire to present himself as a moderating influence, suggest that he urged caution in the language of the order. Yet the signed document bears no trace of such caution. Dinan may have counseled restraint and been overruled; he may have offered his counsel after the fact, when the proclamation’s consequences became apparent; or he may have participated fully in its composition and later constructed a more prudent narrative for his own protection.

What is certain is that the police department’s actual capacity bore no relation to the powers the proclamation conferred. The chief commanded fewer than two hundred officers for a city of four hundred thousand, many of those officers were themselves displaced or injured, and the department’s communications system—dependent on the telephone exchange at the Hall of Justice—had been severely disrupted. The proclamation’s authorization of lethal force to “all Special Police Officers” was, in practical terms, an authorization to armed civilians whose qualifications and accountability remained undefined.

The printing and distribution of the proclamation constituted a logistical achievement that contrasted revealingly with the city’s failure to address its more pressing needs. The Examiner presses, located on Market Street near Third, had suffered damage but retained partial operation through the improvised use of a small auxiliary generator. William Randolph Hearst’s investment in redundant systems, characteristic of his publishing empire, now served the mayor’s purposes.

The gap between assertion and condition would widen through the afternoon and evening. As the fires joined and advanced, as the military occupation extended, as the Committee of Fifty assumed functions that had belonged to city departments, the proclamation would remain posted on walls that were themselves consumed by flame. Its physical destruction by the fires it had failed to address would become, in retrospect, an emblem of its larger inadequacy. Yet its psychological effects would persist: the authorization of lethal force, the presumption of widespread criminality, the substitution of dramatic gesture for systematic response.

These effects would shape the decisions of the following days, when the authorities turned to dynamite as a method of fire control. The same logic that had produced the proclamation—strong measures, immediate action, the appearance of decisive intervention—would govern the selection of buildings for destruction and the choice of streets for firebreaks. The mayor’s proclamation, a performative bid for control, creates the legal and psychological pretext for the sanctioned violence of dynamiting and vigilantism. The authorization to kill looters established a pattern in which civilian life and property could be sacrificed to the imperative of order, and in which that sacrifice could be represented as the people’s own will, enacted through their elected government.