Chapter 12
The Woman in the Water
A woman clung to a deck chair frame in the cold water, her hands white, her mouth making sounds that were not words. She held the frame the way a child holds a fence rail, not understanding what has happened but understanding that letting go meant the end. Around her the sea was full of things that had been inside a ship an hour before—linen, timber, cork lifebelts, a piano lid, a doll with a porcelain face looking upward through the spray. People held these things. People held each other. Some held nothing and went down.
The water was fifty-one degrees and it was killing them at different speeds, taking the old and the young first, taking the weak, taking the strong who had swallowed seawater, taking everyone it could reach in the time remaining before the rescue boats arrived from Queenstown.
The woman with the deck chair frame could see the coast of Ireland. She could see the Old Head of Kinsale. The distance was not great.
Three miles northeast, at the periscope of U-20, Kapitänleutnant Walther Schwieger was writing in his war diary.
The periscope gave him a circle of the surface, a bright ring of sea and sky framed in steel and glass. Through it he watched the Lusitania go down. The time of the torpedo strike had already been noted. Now the ship was heeling further, the great funnels going into the water one after another, and the pen moved across the page. His entries were brief and precise. They were the observations of a commanding officer completing a tactical assessment. The angle of the listing ship appeared in the log. The boats appeared. The people in the water appeared. The periscope held its position. The pen moved. The ship sank.
The contrast between these two scenes—the woman and the periscope—was not a contrast of knowledge. Both parties understood what was happening. The woman knew the ship had been torpedoed and was sinking and that the water was cold. Schwieger knew the ship had been torpedoed and was sinking and that the people in the water were dying. The difference lay in what each party did with that knowledge. The woman held her deck chair frame. Schwieger wrote in his log and then gave the order to dive.
His entry for the torpedo strike was a model of operational brevity. The range, the bearing, the angle, the single torpedo fired from the bow tube—all were recorded in the sequence of a firing report. Then came what followed: a second explosion, larger than the first, a detonation that sent a column of debris and water upward through the ship’s superstructure. This second explosion was the event that would preoccupy investigators, naval architects, conspiracy theorists, and historians for the next century. In Schwieger’s log it occupied a clause. Noted without explanation. Without speculation about its cause. Written down the way a gunner writes down a hit—factually, without interpretation, as something that had happened in the conduct of an attack.
The significance of this notation would not be apparent for months. At the time of writing, Schwieger could not know that the second explosion would become the central piece of physical evidence in a controversy involving the British Admiralty, the Cunard Line, and the government of the United States. He could not know that his single sentence about a detonation he did not cause would be read as evidence that the Lusitania had been carrying contraband munitions, or that it would be read as evidence that the ship’s boilers had exploded, or that it would be read as evidence that the British had deliberately allowed the sinking to bring the United States into the war. He wrote it down because it had happened. The log was a military document. Its purpose was to record the patrol.
Through the periscope, the ship continued to turn over. The great hull was visible, the four funnels now gone or going, the stern rising. Lifeboats came into view. Some were in the water. Some were hanging from the davits at impossible angles, jammed or overturned, spilling their passengers into the sea. People in the water came into view. The log does not record what he thought about them. Only that he saw them. The distinction matters. A military log is not a diary in the personal sense. It does not record feelings. It records observations, times, bearings, and actions taken. But the absence of feeling in the notation is itself a kind of evidence. It shows what the log was for. It shows what the war had made normal.
Schwieger’s observation of the lifeboats is one of the most contested passages in the diary. Boats being lowered, boats overcrowded, boats swamping—the notations vary in precision across the surviving versions. The German government later published a fair copy of the Kriegstagebuch, and some writers and historians have contended that the published version was altered—softened, edited, made to appear less damning than the original. The accusation is difficult to resolve definitively. What is clear is that accounts from other crew members of U-20 corroborate the essential facts: one torpedo fired, a second explosion observed, the ship sinking rapidly, boats in difficulty, people in the water. The entries were also consistent with intercepted radio reports sent to Germany by U-20 once she had returned to the North Sea, before any possibility of an official cover-up.
The log was a document written by a man who had just sunk a passenger liner. Written in the immediate aftermath, while the ship was still visible through the periscope, while the people were still in the water, while the rescue boats had not yet arrived. Not written in retrospect. Not composed after consultation with lawyers or diplomats or naval staff officers. The record of a patrol, kept by the commanding officer, in the manner required by the Imperial German Navy’s regulations for U-boat war diaries. This is what gives it its force as evidence. A contemporaneous account by the attacker, written before the attack became a diplomatic crisis, before the dead were counted, before anyone understood what the sinking of the Lusitania would come to mean.
What the log shows, beyond the facts of the attack, is a pattern of military detachment that is itself significant. Schwieger observed the sinking. He observed the aftermath. Then he gave the order to dive and set a course away from the area. No order to surface was given. No distress call was transmitted to the nearby shore stations. No waiting for the rescue vessels to arrive and offering coordination. He withdrew. In the operational logic of a U-boat on patrol in a war zone, this was correct procedure. A submarine on the surface was vulnerable to ramming, to gunfire, to patrol vessels. A submarine that remained in the vicinity of a sinking it had caused was inviting retaliation. Schwieger’s duty was to his crew and his vessel. He acted accordingly.
The internal atmosphere of U-20 during these minutes is not recorded in the log. The Kriegstagebuch does not note the reactions of the crew. Whether the men cheered or were silent is not stated. Whether anyone looked through the periscope and said something about what they saw is not stated. Whether Schwieger himself said anything beyond his orders is not stated. The document is silent on these matters, and the silence means that any account of the crew’s emotional state is speculation. What the document shows is action: observation, recording, withdrawal. The action is what matters. The action is what can be judged.
Schwieger’s decision to withdraw has been read in different ways. By German naval authorities, the correct action of a commander preserving his vessel. By Allied commentators, the act of a war criminal fleeing the scene of his crime. By later historians, both—the legitimate tactical withdrawal of a military vessel and the moral abandonment of a humanitarian duty that, even in wartime, was understood to exist.
The Geneva Convention of 1864 and the Hague Conventions of 1899 and 1907 had established principles for the treatment of shipwrecked sailors, but these principles had not yet been applied to submarine warfare. A submarine could not take survivors aboard. It could not tow lifeboats. It was not equipped for rescue. The legal question of what a U-boat commander owed to the survivors of a ship he had sunk was one that the existing conventions had not anticipated.
Schwieger’s withdrawal would become a test case, cited in arguments about the rules of naval warfare for decades.
The withdrawal was also a human question. Through the periscope, people in the water were visible. The lifeboats were visible—the overcrowded ones, the swamped ones, the ones hanging from the davits. The ship going down was visible, and going down fast, faster than a ship of that size should have gone down from a single torpedo. All of this was visible, and then came the order to dive. The periscope went down. The conning tower submerged. The boat slid beneath the surface and set a course to the northeast, away from the Old Head of Kinsale, away from the debris field and the bodies and the boats, away from the scene it had made.
The course took U-20 back into the patrol pattern. Schwieger’s mission was not over. Torpedoes remained. A patrol sector waited to be covered. He had been at sea since 17 April, and his fuel and battery capacity were finite but sufficient for continued operations. The log records the course set and the reason: patrol continuation. The submarine moved northeast, then north, back into the approaches where merchant traffic had been reported.
Schwieger was still hunting. The sinking of the Lusitania was, in his log, one engagement in a patrol that had already included the sinking of the schooner Earl of Lathom and the freighter Candidate, and would continue for several more days. Not recorded as a special event. Not set apart from the other entries. The largest entry, because the most had happened, but not framed as a turning point or a moment of exceptional importance. An attack. The ship sank. The boat moved on.
This is also what would later be set against all that happened on deck: while survivors clung to wreckage and described their ordeal before Lord Mersey’s inquiry; while newspapers printed illustrations of hulls listing into cold water; while diplomats drafted notes and counter-notes about belligerents’ rights and neutrals’ claims; Schwieger’s log sat in an archive—a few pages of precise handwriting describing that same morning from inside steel.
The German government’s position, articulated in the days following the sinking, was that the Lusitania was a legitimate military target. She was an armed merchant cruiser, or would be in wartime. She was carrying contraband. She was sailing under the flag of a belligerent power in a declared war zone. The German embassy had placed advertisements in New York newspapers warning passengers not to sail aboard her. From the German perspective, the attack was lawful. Schwieger’s log supported this interpretation by its very dryness. The torpedo was fired at a vessel that was identified, tracked, and engaged in accordance with U-boat patrol doctrine. The log did not record deliberation about the ship’s passenger status. A target, a firing solution, and a hit—this was how a military engagement was documented. The log treated the Lusitania as a ship, not as a collection of civilians.
The Allied position was that the attack was an act of piracy. A passenger liner carrying noncombatants, including women and children and citizens of a neutral power, had been sunk without warning. The second explosion might have been caused by munitions in the cargo, but the presence of munitions did not make the passengers legitimate targets. The torpedo had been fired without warning. No provision had been made for the safety of the people aboard. Schwieger’s withdrawal from the scene was cited as evidence of his awareness that he had committed an act that could not withstand scrutiny. A commander who believed his attack was lawful would have remained to offer assistance, the argument ran. Schwieger had fled. The log, read through this lens, became evidence not of military detachment but of moral culpability.
Both readings were possible because the log did not provide what each side wanted. A statement of intent is not in the document. Schwieger’s thoughts about the passengers are not recorded. The second explosion is not explained. The withdrawal is not justified. What happened is simply recorded, in the language of a patrol report, and the interpretation is left to others.
This is the nature of a military log. Written for the record, not for history. But when the record becomes history, the log’s silences become arguments. Every omission becomes a choice. Every bare notation becomes a position.
The log of U-20 for 7 May 1915 is a document that shows, with terrible clarity, what a military engagement looks like from the other side of the weapon. Calm where the surface was chaos. Precise where the survivors were incoherent with shock. Brief where the inquiries would be voluminous. In a few paragraphs, the attack, the sinking, and the withdrawal. The attacker’s account, and it is complete.
The completeness is what makes it dangerous. The log does not leave room for the German government to claim that the sinking was accidental. Schwieger identified the Lusitania, tracked her, and fired. The hit was recorded. The second explosion was recorded. The sinking was recorded. The people in the water were recorded. The withdrawal was recorded. There is no ambiguity in the document. The attack was deliberate, methodical, and successful. The people in the water were seen. The withdrawal was ordered. These facts, recorded by the man who caused them, are the historical content of the log. They would be cited in the Mersey inquiry, in the diplomatic correspondence between Washington and Berlin, in the propaganda of both sides, and in every subsequent history of the First World War. The attacker’s own testimony, given not under oath but under regulation, not for a court but for a file.
The file would outlast the court. The Mersey inquiry would hear testimony from survivors, from Cunard officers, from Admiralty witnesses. It would weigh the evidence and produce a verdict. But the verdict would be built on the facts that Schwieger’s log had already established. The ship was struck by one torpedo. A second explosion followed. The ship sank in eighteen minutes. The lifeboats failed. These were not findings of the inquiry. They were facts recorded by the attacker, in real time, before the inquiry existed. The inquiry would interpret these facts. It would assign blame. But the facts themselves were not in dispute, because the man who had caused them had written them down.
The cargo of the RMS Lusitania would become a separate controversy. The ship’s manifest, filed in New York before departure, listed a shipment of small-arms ammunition—4, 200 cases of rifle cartridges, consigned to the British government.
Later investigations would also identify 240 brass percussion fuses among the cargo. These items were listed on the manifest. They were not concealed. They were legal under American law, which permitted the export of munitions to belligerent powers.
The presence of these items in the cargo would be cited by Germany as justification for the attack and by Britain as evidence that Germany was manufacturing excuses. The second explosion recorded in Schwieger’s log would be connected to this cargo by some historians, who argued that the cartridges or fuses had detonated. Others argued that the second explosion was caused by coal dust or by a boiler. The log does not resolve this question. The explosion is recorded. The cause is not.
What the log does resolve, or at least what it establishes, is the basic sequence of events from the attacker’s perspective. Schwieger fired one torpedo. The torpedo struck. A second explosion followed. The ship sank. These are the facts that any inquiry, any diplomatic note, any historical account must engage. The facts that Schwieger recorded, in his own hand, in his own language, for his own navy’s records. The facts that would be confirmed by survivor testimony, by physical evidence, and by the absence of any contradictory account from the German side. The log is the attacker’s gift to history—an unguarded record, written before the consequences were understood, before the bodies were counted, before the diplomatic notes began to cross the Atlantic.
The bodies were still in the water when U-20 set its course northeast. The rescue boats from Queenstown were still steaming toward the debris field. The people in the water were still holding to their deck chairs and their cork belts and their piano lids. The woman with the deck chair frame might still have been holding on. The water was still fifty-one degrees. The distance to the shore was still not great.
Schwieger’s periscope was down. His boat was submerged. His log was written. Moving away from the scene at a speed that would put him beyond the reach of any patrol vessel that might be sent to find him.
Whether the Lusitania carried American citizens was not known to him. Whether the sinking would bring the United States to the edge of war was not known to him. Whether his log would be read by presidents and ambassadors and judges was not known to him. A large ship had been sunk. People were in the water. The ship had gone down faster than expected. These things were known. These things were recorded. Then the boat dove.
The log would remain in the German naval archive. Retrieved, translated, submitted as evidence. Argued over. Its silences filled with interpretation. Its precision questioned. Its author called a war criminal by some and a competent officer by others. The log itself would remain what it was: a few pages of handwriting, recording a patrol, describing an attack, noting a sinking, and recording a withdrawal. The historical content of the log is not what it says about Schwieger’s character or about German naval doctrine or about the rights of belligerents. The historical content is the facts. One torpedo. A second explosion. A ship sinking in eighteen minutes. Boats that could not be launched. People in the water. A submarine moving away. The facts that the attacker recorded. The facts that the survivors confirmed. The facts that the inquiries would weigh. The facts that remain.
The submarine moved northeast through the Irish Sea. Behind it, the water was full of debris and people and the sounds of drowning. Ahead, the patrol continued. Schwieger’s war diary recorded the course and the speed. The entries for the rest of 7 May would note the patrol sector, the weather, the visibility. The Lusitania would appear in the log as one engagement among several. The entry would be longer than the others, because more had happened, but it would not be set apart. Not marked as exceptional. A patrol report, written by a commanding officer, filed with the fleet.
The fact that it would later become a document of historical significance was not something Schwieger could have known when he wrote it. Written because his navy required it. What he saw was written. What he did was written. What happened was written. The log was complete. The boat moved on. The water behind it held what it held.
The rescue boats from Queenstown reached the debris field an hour after the sinking. Bodies and survivors and the wreckage of a great ship were found. Lifeboats that had been launched and lifeboats that had not. The cold and the dead and the living. What they did not find was the submarine.
Gone. Having recorded what it needed to record and set its course and left. The scene it left behind would be entered into the record by others—by survivors, by rescuers, by doctors and priests and harbor masters and newspapermen.
But the first record, the record from the other side, was already written. Written in German, in a navy officer’s hand, in a logbook that would survive the war and the inquiry and the century. The attacker’s account. Calm and precise and complete. The historical content. And already beyond the reach of the people in the water, moving northeast through the dark sea, carrying its few paragraphs of notation away from the scene it had made, toward the patrol sector and the remaining torpedoes and the days ahead, leaving behind what it could not carry and did not stop to measure.
